爱看小说

附录 参考文献(第2页)

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[32]Musis’exaggeratedclaims:MarieAgnearisoesofmusis,psychologistsand’,Psyonographs311(1922),268–78.

[33]Gortonand?stersj?:EricClarkeetal.,‘Fluidpractices,solidroles?TheevolutionofForlornHope’,indMarkDoffmaributedCreativity:CollaborationandImprovisationinusiewYork:OxfordUyPress,2018),116–35.

[34]Lang’sridiculousrules:A,TheMusethatSings:posersSpeakabouttheCreativeProewYork:OxfordUyPress,1999),222.Reynolds,Formahod:usiewYe,2002),41.Ferneyhough:RossFeller,‘E-sketches:BrianFerneyhough’suseofputer-assistedpositionaltools’,inPatriciaHallandFriedemannSallis(eds),AHandbooktoTweuryMusicalSketches(Cambridge:CambridgeUyPress,2004),176–88.

[35]Perfeditiohoven’spiaomovementonSpotify(sear‘Hess15’);seealsoNicholasCook,‘Beethoven’suninishedpiao:Acaseofdoublevision?’,JournaloftheAmeriMusicologicalSociety,42(1989),38–74.TheperfeditionaredincollaborationwithKelinaK>

[36]FeynmanandWiener:JamesGleiius:RimanandModernPhysi:Abacus,1994),409.

[37]Beethoven’sadviposier1203inEmilyAheLettersofBeethoven,3vols(London:Ma,1961).Sketthewoods:AugustvonKl?ber’sa[Alexahayer’sLifeofBeethoveooyPress,1967),703.

[38]Eudioaspositionaltool’,inChristophdDanielWarner(eds),AudioCulture:ReadingsinModernMusiewYork:,2004),127–30.

[39]Merleau-Ponty,Sigon,IL:eryPress,1964),45.

第三章 在场的“过去”

[40]AllanbrestureinMozart:LeNozzediFigaroandDonGiovanni(ChiiversityofChicagoPress,1983),6.

[41]Hayd:desbyGiuseppeEdwardKlorman,Mozart’sMusids:Soterplayinthebridge:CambridgeUyPress,2016),41.

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[44]oticesofBeethoven’sNinthSymphoailsinNicholasCook,Beethoven:SymphonyNo.9(Cambridge:CambridgeUyPress,1993),23,27(Kanne),70–1(Fr?hlich),37–8.

[45]icesoflistening:JamesJohnson,ListeninginParis:ACulturalHistory(Berkeley:UyofiaPress,1996).

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[56]Beyondlip-syng:‘“Aions?”

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[57]Celebrity:JoLittler,‘Adriftorashore?DesertIslandDisdcelebrityculture’,ial.(eds),DefiningtheDiscographicSelf:DesertIslandDistext(London:BritishAcademy,2017),93–106[94].

[58]BeyonedheraimforLemonadeinher2017GrammyAtancespeees:AmyMa,‘Beyoncé’sCoachellaperformauredDestiny’sChild,JayZ,Solange,andseveralepieges’,Harper’sBazaar,15April2018.

[59]Recworks:Ni,‘“Anewpleasure”

:ListeningtoNationalGramophoyrecords,1924–1931’,Musitiae14(2010),139–64[151].

[60]Culsharodu:DavidPatmoreandEricClarke,‘Makingandhearingvirtualworlds:Johndtheartofrecordproduusitiae11(2007),269–93(tohearhisregsonSpotifysearchfor‘Sould’siion(e.g.ofJeanSibelius’sKylliki):KevinBazzana,GlennGould:ThePerformerintheWork(Oxford:OxfordUyPress,1997).

[61]G-Funkandin-ing:JustinWilliams,‘“Carswiththeboom”

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第四章 音乐2.0

[62]Rousseau,EssayinofLanguages(1781),availableiions.

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